This book is organized into three sections, each addressing the issue of localization of Chinese design. The first section examines the historical connection between Chinese design and traditional culture by organizing and elaborating on ancient design concepts and the philosophy of craftsmanship. The second section reviews the intellectual and academic history of modern Chinese design, assessing the inquiries and reflections of earlier scholars as a framework for further discussion. The third section focuses on the process of localization in contemporary Chinese art and design practice, reflecting on the historical connection between design and culture as manifested in creative practice.